A dark opera explores the mind of a veteran with post-traumatic stress disorder; a pastoral comedy features earnest lovers, meddling gods and sheep puppets. By Heidi Waleson Jan. 26, 2021 2:29 pm ET Operas directed especially for film have been an intriguing artistic byproduct of the Covid-19 pandemic, opening new interpretive avenues. A case in point is …
Continue reading “‘Soldier Songs’ and ‘Titon et L’Aurore’ Reviews: War’s Wounds and Love’s Arrow”
