Kate Soper’s opera, which had its premiere at New York’s Miller Theatre last week, adapts a medieval legend about virgins used to trap unicorns; David T. Little’s work, performed by Philadelphia’s The Crossing, stems from the bygone practice of paying social outcasts to absorb the sins of the wealthy dead. By Heidi Waleson Oct. 17, …
Continue reading “‘The Hunt’ and ‘Sin-Eater’ Reviews: New Songs of Old Worlds”
