Washington National Opera performed a world premiere production of Puccini’s work with a new final scene by Susan Soon He Stanton and Christopher Tin; at Park Avenue Armory, Peter Sellars directed a program of Bach cantatas and African-American spirituals presented as a call to action against climate change. By Heidi Waleson May 22, 2024 at …
Continue reading “‘Turandot’ and ‘Shall We Gather at the River’ Reviews: Classics in New Contexts”
With music by Huang Ruo and a libretto by David Henry Hwang, an opera at New York’s Perelman Performing Arts Center about a viciously bullied Army private proved taut and haunting; uptown, Opera Lafayette’s production of Jean-Joseph Mouret’s 1714 work was a skillful, snappy delight. By: Heidi Waleson May 14, 2024 Brian Vu and Alex DeSocio …
Boston Lyric Opera gave the work by Guadeloupe-born composer Joseph Bologne a snappy staging without making a strong case for its score, while MetLiveArts deftly put the more famous composer’s work in a global context. By Heidi Waleson Ashley Emerson and Brianna J. Robinson in ‘The Anonymous Lover’ PHOTO: NILE SCOTT STUDIOS Boston and New York With opera …
The annual festival returned with an uneven slate of new works, from Huang Ruo’s oratorio ‘Angel Island’ to Heather Christian’s lively ‘Terce: A Practical Breviary.’ By Heidi Waleson Jan. 16, 2024 at 5:30 pm ET A scene from ‘Angel Island’ PHOTO: MARIA BARANOVA New York and Brooklyn, N.Y. At its best, the annual Prototype Festival, coproduced by Beth …
Continue reading “Prototype Festival Review: Originality in Opera”
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