The summer program features the American debut of Tobias Picker’s ‘Lili Elbe’ alongside satisfying stagings of ‘Rodelinda,’ ‘The Magic Flute,’ ‘Eugene Onegin’ and ‘Madama Butterfly.’ By Heidi Waleson Aug. 10, 2026 at 4:46 pm ET Lucia Lucas and Sylvia D’Eramo in ‘Lili Elbe.’ BRONWEN SHARP Santa Fe, N.M. Tobias Picker’s “Lili Elbe,” which is having its American premiere at …
Continue reading “Santa Fe Opera 2026 Season Review: Potent Premieres and Reliable Revivals”
In New York, Will Crutchfield’s company celebrated 200 years of Italian opera in America with performances of ‘Il Don Giovanni’ and ‘Il Turco in Italia’; upstate, at Caramoor, William Christie’s French ensemble and select young vocalists delivered moving renditions of two Marc-Antoine Charpentier works. By Heidi Waleson July 20, 2026 at 5:09 pm ET Kresley Figueroa …
A new production of ‘Die Frau Ohne Schatten,’ conducted by Klaus Mäkelä, proved a highlight of this year’s festival in Provence, France, in contrast to its incoherent stagings of two Mozart works. By Heidi Waleson July 8, 2026 at 5:49 pm ET A scene from ‘Die Frau Ohne Schatten.’ MONIKA RITTERSHAUS Aix-en-Provence, France The opening days of …
Continue reading “Aix Festival 2026 Review: Brilliant Strauss, Messy Mozart”
The New York company offers a stark, taxing adaptation of the composer’s 1958 work, which centers on a woman waiting for her long-gone lover’s return. By Heidi Waleson May 18, 2026 at 4:28 pm ET Inna Dukach as Vanessa. RUSS ROWLAND Heartbeat Opera’s 100-minute adaptation of Samuel Barber’s “Vanessa”(1958) by company artistic director Jacob Ashworth, first presented last summer at …
Continue reading “‘Vanessa’ Review: Heartbeat Opera’s Strident Samuel Barber”
Following its split with the Kennedy Center, the company has ably adapted to George Washington University’s Lisner Auditorium, where it is presenting a gripping staging of Robert Ward’s version of the Arthur Miller classic. By Heidi Waleson March 23, 2026 at 5:01 pm ET A scene from the Washington National Opera production of ‘The Crucible.’ SCOTT SUCHMAN …
Continue reading “‘The Crucible’ Review: Washington National Opera’s Nimble Reset”
Harry Bicket and the English Concert presented the composer’s highly theatrical but little-known 1745 oratorio in an uneven but frequently arresting performance. By Heidi Waleson March 18, 2026 at 5:22 pm ET Harry Bicket and the English Concert at Carnegie Hall. RICHARD TERMINE New York The annual Carnegie Hall visit of Harry Bicket and the English Concert, the superb …
Continue reading “‘Hercules’ Review: Handel’s Musical Myth at Carnegie Hall”
Director Yuval Sharon’s company debut is an imaginative, expansive production headed by two top-flight singers, Lise Davidsen and Michael Spyres. By Heidi Waleson Lise Davidsen and Michael Spyres. MET OPERA New York In his 2024 book, “A New Philosophy of Opera,” the American director Yuval Sharon offered a radical vision for an art form that is often mired …
Continue reading “‘Tristan und Isolde’ Review: At the Met Opera, Wagner’s Vast World”
Opera Philadelphia’s world-premiere production—with a libretto by Michael R. Jackson that follows its heroine across 10 decades, each one scored by a different composer—proved a remarkably successful experiment. By Heidi Waleson Feb. 11, 2026 at 3:23 pm ET Justin Vivian Bond STEVEN PISANO Philadelphia During its not quite two years of Anthony Roth Costanzo’s leadership, Opera Philadelphia has been …
Continue reading “‘Complications in Sue’ Review: One Woman, 10 Composers”
A new work in Washington from composer Damien Geter and librettist Jarrod Lee depicts the life and legend of the great guitarist. By Heidi Waleson Dec. 9, 2025 at 5:49 pm ET Albert R. Lee, Marvin Wayne, Anthony Ballard, Christian Simmons STORY MODE Washington At a compact 45 minutes, “The Delta King’s Blues,” given its world premiere …
Continue reading “‘The Delta King’s Blues’ Review: Robert Johnson at the Opera”
At Lincoln Center, the American Modern Opera Company contemplates the past, present and future through strikingly different productions; at its open-air amphitheater, Little Island stages the landmark 1983 musical retelling of a Sophocles tragedy, rethinking central elements. By Heidi Waleson July 16, 2025 at 4:38 pm ET A performance of ‘Music for New Bodies’ at Lincoln …
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