‘The Anonymous Lover’ and ‘Handel: Made in America’ Reviews: New Angles on the 18th Century

Boston Lyric Opera gave the work by Guadeloupe-born composer Joseph Bologne a snappy staging without making a strong case for its score, while MetLiveArts deftly put the more famous composer’s work in a global context. By Heidi Waleson  Ashley Emerson and Brianna J. Robinson in ‘The Anonymous Lover’ PHOTO: NILE SCOTT STUDIOS Boston and New York With opera …

Prototype Festival Review: Originality in Opera

The annual festival returned with an uneven slate of new works, from Huang Ruo’s oratorio ‘Angel Island’ to Heather Christian’s lively ‘Terce: A Practical Breviary.’ By  Heidi Waleson Jan. 16, 2024 at 5:30 pm ET A scene from ‘Angel Island’ PHOTO: MARIA BARANOVA New York and Brooklyn, N.Y. At its best, the annual Prototype Festival, coproduced by Beth …

‘Carmen’ Review: A Misguided Modernization at the Met

Carrie Cracknell’s production, which had its premiere on New Year’s Eve, sets the opera in the present-day U.S. while offering few fresh insights into Bizet’s classic By  Heidi Waleson Rafael Davila and Aigul Akhmetshina PHOTO: KEN HOWARD / MET OPERA New York Director Carrie Cracknell, who made her Metropolitan Opera debut with a new production of Bizet’s …